This past week I have been house sitting for my parents and one of the most distinct differences about changing living quarters for two weeks is not so much the sleeping arrangements, having a cat around to care for, or not having all my stuff, it is that in the living room there is something present that is not in my house now: a television. Now just for the sake of clarification, I have not been an avid television watcher for a long time, I remember times in high school and even a bit in college that I began to notice that TV took a little bit too much priority when I would be with friends and would suddenly feel the urge to be home vegging while watching football or Seinfeld, that feeling like I would really be missing out on something and I needed to be home to see it. It has been awhile since that has occurred. Nor am I the type to get all arrogant about not owning a TV, though I will admit every once in a while it feels good to say! I don't look down on those who have TVs, and I don't think they are living fictional lives by owning them or watching them frequently. Just as a side, I find this blog hilarious and especially on this exact point:
http://stuffwhitepeoplelike.com/2008/01/26/28-not-having-a-tv/
But I have noticed something about this past week with having a television that terrifies me a little bit. And what scares me is how easily I am willing to trade in making stories for being a witness to other stories, whether fictional or nonfictional. It can be very tempting to simply sit there and watch stories go by than to get up and be a part of them yourself. This happens for many reasons I am sure, but a couple stick out in my mind. One, living out real stories has the essential element of risk involved in them. Risk scares the hell out of every last one of us, and so we do a lot of things to avoid it. To call out a story for ourselves and point toward a particular direction means we could potentially lose something valuable to us and so we fear losing some sense of security. But good stories are never safe. There at the heart of them lies both failure and death, even if not a literal or physical death. The second reason we are willing to be spectators rather than participants in stories is that when we become a witness to a story we get to be a part of it somehow without having to lose something of ourselves. It can create in us excitement as we watch a story, but it rarely ever costs us. We can close the book or turn off the television. We cannot do that with our own stories so well. But we do love the tension embedded in stories, the battle between good and evil, light and dark, beauty and ugliness, life and death, certainty and uncertainty. We love being caught within this polarity, but often we save it for lesser stories rather than in our own lives. Today I found this quote very telling of how often we live:
"A plot without tension is a flat line, a life with no rises, no dips, no anima. Life, by definition, involves tension. Even the couch potato, the average adult who watches 4.2 hours of television every day, is drawn to tragedy and tension in the stories of others. This attraction is the reason we are so bound to sitcoms, pulp fiction, reality TV, and water-cooler gossip. We would die without the thrill, uncertainty, and passion of tragedy and tension." (To Be Told by Dan Allender, pg. 17)
We desire and go after stories that include tension and the potential for tragedy, but so often choose the escape mode in our day to day lives and merely become witnesses to stories instead of coauthors of them. I am often so guilty of this, and I realized over the course of this past week I am willing to buy into stories such as the World Cup, The Departed, History Channel, Man vs. Food, etc. over my own. And I don't think we have to choose, because I love a great story in books, movies, television. They often can lead us to greater stories if we let them and if they can inspire us to tell our own. But if we simply stop there and solely use these stories as substitutes for our real ones, and we don't seek adventure or risk, then we have truly become bereft and boring. And great stories cost us, they always include the essential element of sacrifice. We have to lose something in order to gain life. You have to get off the couch, be willing to play putt putt golf in the pouring rain with your friends or ride the bike at night under the beautiful moon and talk to God, to help with that organization and create better stories for others as well or feed that person on the street. Good stories will challenge us and will never promise safety or certainty, but they will be rich and we will grow and mature because of the process. Here is a final quote from Allender,
"We want adventure, but not without assurances that we will suffer no harm when we take risks. We want danger and excitement, but only as long as they come with a money-back guarantee that everything will work out before the game is finished. But life isn't like that. There are no safe risks. There is no growth that comes with a guarantee of success. Tension is the medium in which we breathe every day."
